Analysis of Petrachs Poetry a Translation of Italian...

This is a translation of the Italian poem Rime 140 by Petrarch. The following link - shows the original form and two translations - each poem is different. They are built around the conceit of love as a warrior or knight, who, in the octave, makes bold to declare himself through a blush, and is promptly rebuked by the beloved; the sestet finds him running away to hide, leaving the poet to reflect on his plight as a faithful servant of a cowardly master. By attributing the offensive, cowardly, and ridiculous behavior to a third-party â€Å"love,† he appears to be distancing himself from an embarrassing situation. He can condescendingly paint this personified love as a blustery miles glorious one moment and a coward the next, while at the same†¦show more content†¦Although they both hold Petrarchs poem as the origin, they show the difference in the effects of the Neo-Platonism during the Renaissance. The notion that the need for love still existed, but the idea that per fect love could never exist was what basically what drove the entirety of their ideas, and what made them stream from the Petrarchan idea of idealistic love. Both authors while focusing on the idea that love can not be idealized show in their own depictions two different views of that love. They portray the means of keeping love or holding onto love with two different mind sets and basically help to back up the notion idealized love can not truly exist and can not be a product of only perfection. The poem by Wyatt refers to the heart as the means of a place in which the love ultimately hides because it is like a forest. Wyatt is pretty much debating whether he should side with love or lust in this case, and ultimately the idea prevails that most likely the speaker chooses. Courtly love or domnei was a medieval European conception of nobly and chivalrously expressing love and admiration.[1] Generally, courtly love was secret and between members of the nobility.[2] It was also generally not practiced between husband and wife.[2][3] Courtly love began in the ducal and princely courts of Aquitaine, Provence,